Plan ahead for courses where students have earned lower grades.
Lowest historical GPA first. At least 100 letter grades over the five years through the
selected term. Grades reflect past outcomes, not workload or a guaranteed result.
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26 courses
Ranked courses have at least 100 recorded letter grades.
Study social influence and persuasion to improve skills, reduce audience resistance, and critically consume messages in contexts like influencers and marketing.
Introduction to Contemporary Media covers key concepts for critical analysis of television, film, radio, and digital media, focusing on meanings, aesthetics, technology, industries, representations, and audiences.
The course is writing-heavy and multi-dimensional, which can be challenging if you dislike writing or social politics. Paper prompts are tough to work through, but tests were described as fair with mostly short-answer questions.
Critical Internet Studies traces the Internet's history, reception, audience, industries, rhetorics, fictional and filmic narratives, and its role in transmitting culture.
A critical overview of U.S. television cultural industries, covering broadcast to streaming, with focus on economic/regulatory structures, programming, labor, and digital adaptation.
Film Comedy explores the comedy genre by examining theories of humor in film, introducing conceptual tools for critical appreciation, and investigating subgenres across popular film traditions.
Examines how personal relationships unfold in online communication contexts including social network sites, online dating, and mobile computing. Covers impression management, deception, trust, identity, and social support.
Introduction to interpersonal communication covering concepts, theories, and research across relationship phases with theoretical and practical applications.
The final research paper carried significant weight, worth 15% of the grade, with a revision component worth another 10%. Lectures and quizzes were described as primarily memorization-based tasks.
Introduction to rhetoric in politics and culture, exploring the interrelationship of theory, criticism, and practice as a social force emerging from political and cultural contexts.
Introduces changing images of race and ethnicity in U.S. entertainment media and popular culture, emphasizing critical and cultural studies approaches.
A hands-on introduction to creating film, video, and television content from script to screen, covering media production principles and visual storytelling approaches.
The final exam covered only lecture material, and the student reported that attending lecture and paying attention was sufficient to achieve a good score without the textbook.
Explores communication science and rhetoric with a digital focus, analyzing digital media through historical, technical, cultural, social, or political lenses.
Introduction to Film explains how films work using classics like Citizen Kane and Vertigo. It covers major film types, film criticism approaches, and techniques like mise-en-scène, cinematography, editing, and sound.
Introduction to dramatic screenplay writing for television and film, focusing on story concept, structure, character, dialogue, and visual storytelling.
Argumentation and Debate course focusing on constructing and evaluating arguments in democratic societies, discussing differences, and examining advocate/audience roles.
Gender and Communication explores how gender influences interpersonal, professional, and social lives through theories of identity, language, and nonverbal behavior.
Filming on Set: Film & Television Workshop teaches fundamentals of sync-sound moving image production, covering directing, cinematography, lighting, sound, design, color grading, and logistics.
Communication and Human Behavior covers communication inquiry, face-to-face interaction dynamics, and the pragmatic and artistic functions of public communication.
The workload included four major writing assignments, biweekly module quizzes, and weekly lecture-based case studies, with most components completed online.
Explores the landscape of communication technologies with a focus on generative AI, discussing its role in communication contexts and examining its transformative effects on individual, social, and professional lives.
Covers video editing and post-production theory and practice, including narrative editing, color correction, and audio for film, music videos, and television.
Introduction to Digital Media Production teaches skills to produce, engage with, and understand emerging technologies for communication and creative expression, fostering critical consumption and production of digital media.
Students reported that exams and assignments were fair. One student noted that even harder concepts like coding were made enjoyable and accessible through the instruction.
Introduction to digital communication covering its impact on daily life, development of digital skills, exploration of media tools/trends, and analysis of online power dynamics.
Introduces key stages in gathering and analyzing data for decision making, covering research questions, data collection, sampling, measurement, visualization, and basic statistics.
A graduate seminar offering an advanced review and exploration of theoretical and methodological developments in media studies, radio, television, and film.