Introductory digital photography course for non-art majors covering camera fundamentals, digital workflow from capture to publication, and manipulation using Adobe tools.
Past reviews described exams as hard and emphasized that success required reading material and thinking out of the box, though following instructions helped.
Drawing Foundations explores exploratory drawing methods and concepts in Modern and Contemporary Art, providing foundational skills for drawing, painting, printmaking, and book art.
Introduction to Painting covers technical processes, studio practice, lectures, discussions, and critiques to build foundational skills in painting materials, color, and composition.
CERAMICS I covers clay properties and forming fundamentals like hand-building and throwing, plus glazing and firing techniques including reduction and oxidation.
One student reported completing 32 works, ranging from cylinders to teapots, by the end of the semester, noting that the instructor pushed them through many skills.
Watercolor I covers painting with watercolor and mixed media on paper, exploring experimental and traditional uses while emphasizing drawing, composition, and imagination, including field trips.
Past student reviews · Freida Tesfagiorgis, Anthony Black
Workload varied by instructor; one required memorizing slide material with no book needed, while another involved one exam and two papers. Exams were generally described as easy or reasonably graded.
ART METAL I covers basic jewelry techniques and metal fabrication, including piercing, soldering, forming, and stone setting, while developing creative concepts and understanding studio tools.
The class required significant outside work, with one student averaging 4-6 hours per week and another noting a big chunk of time needed weekly to finish projects.
Sculpture II continues investigation in sculpture studio practices, emphasizing concepts and technique. Students apply advanced woodworking, metalworking, casting, and textile techniques to create refined sculptural works.
Lithography course covering direct drawing on stone with crayon and tusche, transfer techniques, and color processes through studio practice, lectures, and critiques.
Intermediate Painting I focuses on developing technical processes and concepts through the study and application of oils, acrylics, and collage materials.
CERAMICS II covers hand-building, throwing, slip-casting, press molding, glazing, decorating, and firing techniques including reduction, oxidation, and primitive methods.
One student advised that showing genuine interest and putting in a lot of effort helped them do well in the class. This reviewer rated the difficulty as low.
Serigraphy course covering silk screen materials, techniques, and its role as a fine art form. Students learn to describe, identify, apply, and evaluate major printmaking processes.
Students worked on projects for most of class time, needing to attend sessions outside of class to complete work, though the load was manageable if productive.
Service Learning in Art explores community-based practices where students work with a community partner in an art-related capacity to foster civic responsibility.
Reviews common welding and metal fabrication techniques available to artists, including various welding processes, brazing techniques, torch work, cutting devices, bending methods, and finishing techniques. Mild steel will be the primary material of exploration.
Basic Graphic Design introduces fundamental principles, covering formal, conceptual, and technical aspects with emphasis on process, presentation, and craftsmanship.
Introduction to Digital Printmaking teaches fundamental skills for combining hand-printed and digital output using hybrid print techniques like laser plate, monoprint, and inkjet.
One student rated the difficulty as low, noting the instructor provided limited critical feedback and prioritized technical instruction over compositional critique.
Glassworking course focusing on personal material concepts, safe glass shop processes, and integrating technical skills with conceptual interests in studio projects.
One student described the class as the most time-consuming they had ever taken, highlighting the significant workload involved in the soft glass projects.
Digital Fabrication Studio introduces digital fabrication technologies in an artistic context, emphasizing integration with traditional material approaches to art production.