Spring 2027

The End of the World

Explores how artists grapple with the world's end through case studies across space and time, examining apocalyptic narratives and humanity's resilience.

no offering record for this termCredits unavailable
Recorded instructors · Spring 2027 No instructors listed

Summary

1 / 3

Lectures are mid-sized, with a median of 77 enrolled students in the recorded sections.

Section enrollment · Fall 2026 snapshot ↗

What you’ll be able to do

  • Describe, compare, and analyze visual material.

  • Evaluate images and buildings in ways that consider historical and cultural contexts.

  • Articulate thoughts and ideas clearly and effectively in written form.

  • Communicate orally. Listen actively.

  • Locate, assess, and enlist research resources in physical and digital forms.

  • Formulate a persuasive and coherent argument based on visual and textual evidence.

  • Describe, compare, and analyze the end of the world in multiple disciplines, including art, literature, film, and music.

Source: UW Guide 1 UW Guide 2

Grade history

↗
average GPA
letter grades

No recorded grade history.

All recorded terms · compare terms & instructors

Prerequisites

Course map

None

  • None
ARTHIST/ILS 150

This is a best-effort interpretation; check the catalog requirements above.

Prerequisite text tree
  • None

Professors

Spring 2027

No instructors recorded for this selection.

Historical instructors & teaching patterns

Recorded history may be incomplete and does not establish a future schedule.

Calendar & sections

Spring 2027

Schedule loads here as you scroll.

SectionModeEnrolled / capacityWaitlist

Times are Central. Select a meeting for details; export includes recorded dates for the selected sections.

Meeting source records

Student experience

the class

Do you feel anxious? Are thoughts of an impending apocalypse - whether by plague, war, climate disaster, or sentient robots - bringing you down? We are not the first to face the end of the world. Explore how artists have grappled with the world's end through case studies across space and time. Why are we drawn to apocalyptic narratives? What can they tell us about humanity's shared fears and hopes? How does art anticipate and rebuild from cataclysm? Peer into the abyss to contemplate the end of the world as we know it. Emerge with an appreciation for the enduring resilience of the human condition.

difficulty & workload

No workload feedback recorded.

Topics

  • Apocalyptic narratives and fears
  • Art's response to cataclysm
  • Interdisciplinary perspectives (art, literature, film, music)

Skills

  • Analyze visual material
  • Interdisciplinary analysis of apocalyptic themes
  • Argumentation from visual and textual evidence

Grades

Instructor

Grade distribution · % of letter grades

No grades available yet.

More grade details Grade mix, volume & source data

Sources & history

UW–Madison

Catalog & offerings

Descriptions, prerequisites, and recorded course offerings.

Catalog observation history

Observations at scan time; dates do not imply when a catalog change took effect.

Selected offering source records

No offering records for the selected term.

Raw records
[]
Rate My Professors

Student reviews

Original comments behind the course and instructor summaries.

Read original reviews

No records available.

Madgrades

Grade history

Recorded grade distributions by term, section, and instructor.

Explore recorded grades
Model outputs & technical records
Qwen/Qwen3.8-27B
LLM outputs across runs
Full model traces

Recorded model configuration, reasoning, and tool conversations.

Model & dataset provenance
{
  "model": "Qwen/Qwen3.8-27B",
  "model_revision": "1d4bf0f2ff6012fd82039f2fa52739d0dd7c60c0",
  "task_version": "17",
  "output_id": "e468b6a97405ac3fd312d33d256044e8985565ef8995e5f286966fc03a5c6aa4",
  "requirements_status": "valid",
  "dataset_revision": "fc1811fa52e581ea57a35c0cf3343f8740a8ffbf",
  "observed_at": "2026-10-14 17:50:09.728220+00:00"
}