JAZZ IMPROVISATION

MUSIC 331

Theoretical concepts, development of aural skills, and analysis procedures related to the jazz idiom. Audition required.

MUSIC 229

Introduction to the applied theory of functional tonal and modal jazz harmony; analysis of song forms from the standard jazz repertoire; study of reharmonization techniques, chord substitution, and types of chord voicings; principles of melodic writing and motivic development, jazz counterpoint, and voice-leading considerations; and writing for common instruments in jazz ensembles. Students will analyze compositions from the standard jazz repertoire and apply the principles studied to create their own compositions for small jazz ensemble.

MUSIC 531

Examine musical improvisation from performers and select repertoire primarily from the Jazz Canon. Explore harmonic, melodic, rhythmic, and cultural expansion into the 20th and 21st centuries of improvisational performance practice. Learn elements needed to transform from a performer into a viable and competent improvisor. Emphasis on cross-cultural understanding and interdisciplinarity.

MUSIC 102

Examines cultural influences on the development of jazz. Explores historical and ethnographic works by scholars in ethnomusicology, history, anthropology, and communication in order to understand cultural influences of traditional and contemporary genres of jazz. Major topics include syncretism, nationalism, modernity, ethnicity, gender, colonialism, and globalization of modern America. Emphasis on cross-cultural understanding and interdisciplinarity in jazz performance.

MUSIC 629

Introduction to contemporary research into jazz theory through analysis of lead sheet jazz compositions, analysis of large ensemble jazz compositions and improvised solos, and critical readings of jazz theory publications.