THE MODERNIST REVOLUTION

Name: THE MODERNIST REVOLUTION
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Rating: 2.5 (327 reviews)

ARTHIST 227

과목 설명

Overview of the emergence and development of modernism in the visual arts between approximately 1880 and 1970, begining with the origins of modernist visual art in the late 19th century, then moving on to the proliferation of avant-garde movements in the first half of the 20th century before concluding with the crisis and collapse of modernism in the post-World War II period. Movements covered include Cubism, Futurism, Dadaism, Surrealism, and Abstract Expressionism. Major topics: the breakdown of traditional pre-modernist artistic styles and genres; invention of radical new techniques such as abstraction and collage; impacts of the political, social, and technological upheavals of the modern era; relations between modernist art, racialization, and colonialism; the transition between modernism and contemporary (or post-modernist) art.

선수과목

None

충족 요건

This course does not satisfy any prerequisites.

학점

미보고

개설 시기

미보고

평점

2.15

8.92% 과거 데이터 대비

수료율

56%

-26.75% 과거 데이터 대비

A 비율

49.33%

45.33% 과거 데이터 대비

학급 규모

14.68% 과거 데이터 대비

Cumulative Grade Distribution

강사 (2026 Summr)

다음 사이트의 평점순으로 정렬 Rate My Professors

유사 과목

GLOBAL MODERNISMS

ARTHIST 480

Considers modernist art movements in Africa, the Middle East, Asia, the Americas, and Europe between approximately 1900 and 1975, with an emphasis on practices in what has more recently been called the Global South. Key issues include: interactions between Indigenous, diasporic, and cosmopolitan practices; the phenomenon of modernist "primitivism"; modernism's involvement in the revolutions of the 20th century (e.g., the Mexican Revolution; Russian Revolution; decolonization movements in Asia and Africa); nationalism, developmentalist ideologies, and state support for the arts; Blackness as a transnational paradigm; and the emergence of global contemporary art from the coalescence of various local art worlds.

TOPICS IN NINETEENTH-CENTURY EUROPEAN ART

ARTHIST 707

Topics in specific aspects of 19-century visual culture.

HISTORY OF WESTERN ART II: FROM RENAISSANCE TO CONTEMPORARY

ARTHIST 202

Examine the arts and culture of Europe and North America from the Renaissance through the present. Explore important fine art, architecture, decorative arts, and photographic masterpieces by artists like Leonardo da Vinci, Rembrandt van Rijn, Claude Monet, Paul Cézanne, Pablo Picasso, Frida Kahlo, and Frank Lloyd Wright. Learn how works of art were valued from the moment of their making, fought over by different nations, bought, sold, stolen, or ignored for centuries and revived only recently for study through the political, historical, social and cultural contexts of their making. Critically examine the concept of artistic genius; the influence of colonialism and imperialism on artistic production and consumption; the role of the patron and the art market in art's production and circulation; the relationship of fine art and popular culture; and the idea of globalization as it relates to "western" artistic traditions. Develop skills in visual analysis to understand artistic production.

THE CONCEPT OF CONTEMPORARY ART

ARTHIST 365

Traces out some of the radical changes in art produced after roughly 1950, or what might be called contemporary art. focuses on American and European art after the "decline" of Modernism. That entails becoming familiar with movements ranging from color field painting, to postmodern production, to performance, video, and installation. Additionally, attention will be paid to artists and artwork that are not adequately represented by the traditional categories of art history.

THE ART OF OUR TIME

ARTHIST 481

Outline of major developments in global visual art from the 1960s to the present, with an emphasis on influential recent theorizations of contemporary art that have been developed by critics, art historians, and artists themselves. Topics include: the globalization of the art world, re-definitions of art after modernism, politics of contemporary art, issues of identity (race, gender, sexuality), technology and new media, the art market, and theoretical approaches to contemporary art.