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SEEING RACE: ANTI-RACISM AND VISUAL CULTURE

ARTHIST 130
과목 설명

Confronting how images work to shape ways of seeing race, this introduction to visual cultures tracks how power works through the visual - from visual surveillance and racial profiling to anti-racist visual activism. Trains critical understanding of the role of imaging in producing ways of seeing race in its intersections with gender, sexuality, and ability. Through critical consideration of the spectacle of racialized violence and the everyday micro-aggressions of the stereotype, addresses the ways that images harm. Also considers how just representation may offer restitution and repair. Explores forms of anti-racist visual activism that seize the power to look back. And questions the ethics of an assumed right to look and to take an image. In asking these imperative ethical and political questions about what images do, trains the critical capacity to harness and intervene in the powers of imaging.

선수과목

None

충족 요건

This course does not satisfy any prerequisites.

학점

미보고

개설 시기

미보고

평점
3.67

-0.65% 과거 데이터 대비

수료율
95.62%

-0.24% 과거 데이터 대비

A 비율
77.29%

-1.57% 과거 데이터 대비

학급 규모
251

15.94% 과거 데이터 대비

Cumulative Grade Distribution

강사 (2026 Summr)

다음 사이트의 평점순으로 정렬 Rate My Professors

유사 과목

TOPICS IN VISUAL CULTURE

ARTHIST 430

Introduces key issues, theories, and methods in visual cultures studies, emphasizing aspects that affect the practices of art history and providing a changing topical focus that addresses new research in this developing interdisciplinary area.

VISUAL CULTURES: TOPICS IN VISUAL CULTURES

AFROAMER/ARTHIST 802

Content will vary to facilitate in-depth engagement with a particular topic in Visual Culture. Topics will be pursued with analytic attention to gender, sexuality and race.

THE ART OF DIVERSITY: RACE AND REPRESENTATION IN THE ART AND VISUAL CULTURE OF THE UNITED STATES

ARTHIST 104

The history of art and visual culture in the United States from the period of colonization until the present from the perspective of how that imagery produced ideas of race and operated to define, exclude, and include various groups over time. Three basic aims: 1. To introduce art history of the United States from c. 1600-2018; 2.To provide skills in visual analysis and critical thinking; and 3. To encourage the understanding of ethnic and cultural minorities in the United States with an emphasis on the visual arts related to marginalization or minority status in the twentieth-and twenty-first century.

THE BODY, SEX, & HEALTH IN ART

ARTHIST 107

Considers the many fascinating ways in which cultures represented ideas of health, sex, disease, medicine, and death, focusing on the ways different art forms (painting, sculpture, architecture, prints, photography, textiles, decorative arts, hair, costume, music and dance, food) conveyed historically and culturally distinctive ideas about bodies. Linking the topics will be an attention to how notions of race, gender, and disability determine representations of the body. Enjoy an introduction to basic skills in visual interpretation that are widely applicable in today's world, while covering health and body-related topics chosen from the arts of Europe, China, Japan, Africa, the Islamic World, and the United States. Our objects of study range from ancient Greece and Rome to the present, with an emphasis on nineteenth- to twenty-first century art.

HISTORIOGRAPHY, THEORY AND METHODS IN VISUAL CULTURE

AFROAMER/ARTHIST 801

Focuses on the knowledge, theories, and methods that are fundamental to the transdisciplinary discipline of Visual Cultures. Develops skills in critical reading, research, analysis, writing, and oral presentation.