CUT 'N' MIX: MUSIC, RACE, AND CULTURE IN THE CARIBBEAN

Name: CUT 'N' MIX: MUSIC, RACE, AND CULTURE IN THE CARIBBEAN
Availability: OutOfStock
Rating: 4.1 (82 reviews)

ANTHRO 237

과목 설명

Explores the history and culture of the Caribbean by focusing on its musics, both religious and secular. Special attention will be directed to the impact of colonialism on the emergence of racially stratified societies. Music will also enable us to investigate the concepts of diaspora and creolization. Other topics include: gender and sexuality, the role of technology in the production and distribution of music, music and politics, the impact of tourism, and the global impact of Caribbean musics.

선수과목

None

충족 요건

This course does not satisfy any prerequisites.

학점

미보고

개설 시기

미보고

평점

3.58

8.43% 과거 데이터 대비

수료율

92.31%

-4.19% 과거 데이터 대비

A 비율

61.54%

86.89% 과거 데이터 대비

학급 규모

-36.59% 과거 데이터 대비

Cumulative Grade Distribution

강사 (2026 Summr)

다음 사이트의 평점순으로 정렬 Rate My Professors

유사 과목

MUSIC, RACE, AND CULTURE IN BRAZIL

ANTHRO 340

Focuses on music's significant role in the formation and maintenance of Brazilian national identity. Learn how a variety of Brazilian individuals, groups, and institutions have contributed to popular and scholarly debates about Brazilian culture, identity, and forms of belonging. These discussions will be anchored to important themes in Brazil's recent history, present, and imagined future, such as cultural cannibalism (antropofagia), and racial hybridity (mestiçagem). Gain insight into how Brazilian artists and their audiences have debated race and racism through expressive means by analyzing a variety of anthropological and ethnomusicological texts about Brazilian popular music, literature, and its most famous annual ritual, Carnival.

TOPICS IN US AND GLOBAL BLACK MUSIC STUDIES

AFRICAN 409

Introduces the phenomenon of "musical blackness" as a US-based, transnational cultural form and practice. Explores (topics will vary) how US-based, racially specified black musical forms, together with global forms also identified as "black," were constituted as part of the legacies of European colonial encounter and US imperial expansion; the categories of "traditional" music and popular style took shape and have been experienced as something part and parcel of this historical process. Gives close consideration to genre, style, and performance practice, in order to understand the many ways in which musical sound and social/political ideas are inextricably linked.

TOPICS IN MUSIC AND ETHNICITY IN THE UNITED STATES

MUSIC 319

Explores music of ethnic groups in the U.S., including that of marginalized minorities, in its cultural context. Topics may include the music of African American, Asian American, Native American and Jewish communities.

BLACK MUSIC AND AMERICAN CULTURAL HISTORY

AFROAMER 156

Examines the interaction between African American musical culture and its historical context, with an emphasis on the period from 1920 to the present.

CULTURAL CROSS CURRENTS: WEST AFRICAN DANCE/MUSIC IN THE AMERICAS

AFROAMER/DANCE/MUSIC 318

The influence of traditional West African dance/music heritage in historical, artistic, social contexts in the development of new hybrid forms of music/dance created by cross-pollination of cultures of Africans, Europeans and indigenous peoples in the New World.