[{"run_id":"20260906T231458-5fdd2fff","semester":"1272","observed_at":"2026-09-06 23:14:58.172943+00:00","record_version_id":"20de7ea41de262347f8cbc46003f420a1a1ecca0765d481284aec9d508434cad","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"85ece887ba2fa4b80cc6a1ec60bd34d53f662532dbf5952b4a68822050bfcf6d","course_number":250,"subjects":["COMARTS"],"title":"INTRODUCTION TO CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"20260907T155543-ce3781c4","semester":"1272","observed_at":"2026-09-07 15:55:43.033547+00:00","record_version_id":"20de7ea41de262347f8cbc46003f420a1a1ecca0765d481284aec9d508434cad","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"85ece887ba2fa4b80cc6a1ec60bd34d53f662532dbf5952b4a68822050bfcf6d","course_number":250,"subjects":["COMARTS"],"title":"INTRODUCTION TO CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-03b0bbb9723907cf3d1b41cf0bb34837dc398e42","semester":"1262","observed_at":"2025-04-16 05:20:33.104844+00:00","record_version_id":"30bcae00f15c2430dd7b614ef9c217d0be0c6a74f4d67a68d8b94e3d05ff9953","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-0837245627eb714ae6bb0375f7abe8f41042011f","semester":"1262","observed_at":"2025-04-16 05:20:33.104844+00:00","record_version_id":"30bcae00f15c2430dd7b614ef9c217d0be0c6a74f4d67a68d8b94e3d05ff9953","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-08c92e359bbbc110b0778b7e0b15d6f40000e6b1","semester":"1262","observed_at":"2025-08-21 07:05:14.730696+00:00","record_version_id":"1a4249898c61ae5abc51f8a6dd4ddcd08bfcd039b582870024d98f33c5842c5f","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-0944d76440dc778fbb89626058c10451009ce9c6","semester":"1262","observed_at":"2025-05-21 03:36:18.194118+00:00","record_version_id":"be93aca937a010ef075dd58a92b9e8d64ecf0e3c5dd57b0631704409500d6994","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-0a7f4bce29c816ef4d3d71b4eb8a2a3e15e33cc1","semester":"1262","observed_at":"2025-06-18 20:04:02.695444+00:00","record_version_id":"9a5936502a6501f4af78fb48ba13923bf28d8e46cc5c40ed6182b06fd775684a","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-0ab917f827a7de22ebdc1087114d377a31c4687b","semester":"1262","observed_at":"2025-05-22 02:11:02.531191+00:00","record_version_id":"ca2ca4c1facccede0f36d42c21ca8ca4be21eccc86f2e88db9c4b58912ab8a7b","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-0c40ecab4b6db9333d1f18aef816e3ee659e300c","semester":"1262","observed_at":"2025-05-25 18:02:34.797617+00:00","record_version_id":"334e0699d8bfb7d3e29cfd22d90a97eba740c1252971d6eeb8dde955144b1601","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-0cb4d29a588ec7f11c7e00b7cf5dc3a0d23d0349","semester":"1266","observed_at":"2026-01-22 01:00:26.555427+00:00","record_version_id":"813755e19ee8ccdeba778d91a2575fc2eb7517d7ae4ab399fb932f74dc78dee4","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"85ece887ba2fa4b80cc6a1ec60bd34d53f662532dbf5952b4a68822050bfcf6d","course_number":250,"subjects":["COMARTS"],"title":"INTRODUCTION TO CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-11c30ec39e91498cbfcf3a923c53a4b03e387280","semester":"1262","observed_at":"2025-07-20 04:58:26.847117+00:00","record_version_id":"6bbee8938baa0d6d50ad619bf1da19c1c52a9d4cc9289cb2ed0506430ecde406","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-13cd500edf2587e9a3428f326253738fbea965ea","semester":"1264","observed_at":"2025-12-14 04:50:04.653658+00:00","record_version_id":"004aca88fb07bec693e122003a24532fecdd81bb5c2994a51c6c18e7cc886e4e","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-1da08b2de39f05e6bc877c189fc2fd6eeda563f5","semester":"1262","observed_at":"2025-07-01 00:03:56.707251+00:00","record_version_id":"d22d7a00cd8f0a7251ff9f8dbb332cc6e0d3ec7954a781bb86b82a70a9004a64","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-2031af47efe133b0e7877f433286ff07385afc41","semester":"1262","observed_at":"2025-07-02 20:16:45.749584+00:00","record_version_id":"0bcb895b03bd8d3b240ce8b20d16ca1ea8ef02cff4d064cfa419f742fb09ad9b","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-238eba6f32fbc30407f616dd0628ff02a2a824dd","semester":"1262","observed_at":"2025-08-17 05:15:07.788352+00:00","record_version_id":"5efb8c2ce6382118da150fb3f5c83b60453f9fa0844b023d2cf1af3ec9e4b136","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-25f0ff56bc4d80f8a8afa1a0bcce8dae6fddb5e5","semester":"1262","observed_at":"2025-05-25 17:20:25.942090+00:00","record_version_id":"6a9b146dbd4d08e03c0ac0e16e76ae873804a8a608eef731d7e77f9b64153865","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-2923f91826ce253b7aeefa9f75b4a39fe4c80ff0","semester":"1262","observed_at":"2025-08-10 05:10:25.938416+00:00","record_version_id":"21ee6886fbb724b30bb7ef86445aa0866b4100105e651e716e067961431c65b4","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-2a05214a4023e0157fa6f7d188c85308f714176c","semester":"1262","observed_at":"2025-09-07 04:56:38.255315+00:00","record_version_id":"c53b3d7b85db7adf455348d57f93c1f76977eb61dc9201dff2155745e972bad3","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-2b1b8e39131de92b94620b25c5bbb25690efed4c","semester":"1262","observed_at":"2025-06-01 07:54:53.913454+00:00","record_version_id":"1a879dc9607fcb3adfdb412f6132d8d863f36ed5bbe4610f8182cdbcec67009d","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-33a1225644e5a5855d60f66e65413946e72fedf4","semester":"1262","observed_at":"2025-06-22 01:52:05.152650+00:00","record_version_id":"4dcc05c3d45217d4ed8433a863cbca6d38355ecf3a4e33189cde32f4927becd6","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-3b89c83dbf5208e13756184de1f2b2d0c09af35f","semester":"1262","observed_at":"2025-06-30 06:40:10.235522+00:00","record_version_id":"1003f1f94cd0a8837743c8907c667fba90a9e543d188d35e8743b67c1a980350","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-3c3eebf7f35c39364b445a2fa5a112ce28dbb4a1","semester":"1262","observed_at":"2025-06-01 17:03:59.062985+00:00","record_version_id":"d92119eed6f3ef4e0c0b55204d90433944b89659c913dde192af7bbca6535ee9","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-3fa4dd71391f1c9cf4ab2216680bbc428689f92d","semester":"1262","observed_at":"2025-05-25 01:15:58.180530+00:00","record_version_id":"4d79afe16a5cefb622243940b5ea37db709f4261e64e59354b840c83e88647e8","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-4040aa216da722a34483f68fc1e129ea571ae08d","semester":"1262","observed_at":"2025-06-01 07:27:39.695506+00:00","record_version_id":"a8ae3cf3f2a729f647841c9db9e126e7ffdfa32bc187e3ba7bd96af12e806d82","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-454d53cd690294459f8ad0793cc3ed562060e56c","semester":"1262","observed_at":"2025-05-25 01:34:00.536004+00:00","record_version_id":"e41d62ea7ada04e49ab715e14f194b1943fee2d51447e4afc9aa48f394f388b2","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-486f091e051fdb4ccdb80ee7b4fb0a5814510324","semester":"1264","observed_at":"2025-11-16 05:32:31.273726+00:00","record_version_id":"4b8a6d08a61fa91548b5eb93fa4adfc6629425728bf4498d7a4e6cab76f2ff9e","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-50393cfc5fd5598d4f4731ef1919f2ff53af07d9","semester":"1262","observed_at":"2025-06-30 06:05:57.438846+00:00","record_version_id":"7c961149fe3409b50abb89129770173efd8efecaff9347c278f6bff28806c59a","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-50f6947786b208c800db8bbd0cec84a8f0f187d2","semester":"1262","observed_at":"2025-06-02 03:49:42.915428+00:00","record_version_id":"e8beb67ce21f64fb46604b78111e5048d9bb3245d733378b7e6454264e29a286","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-51d86ed4082dced3803c295419b0ec8440942016","semester":"1264","observed_at":"2025-11-12 04:50:41.141307+00:00","record_version_id":"00d6b89687709b3cd98586918f850c316694c5a90b6513e43409931d8bd26d58","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-53101bd1c10db0d00d094e4c9154d4c244ff23d9","semester":"1262","observed_at":"2025-10-05 04:58:05.366968+00:00","record_version_id":"e58d44b4a96ec8b4195ddb71acf3aa8132539a12696cc734f50e043675b06464","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-58751151c564e11c5cb8aedd3a2d3527c22f73eb","semester":"1262","observed_at":"2025-06-01 06:59:01.536576+00:00","record_version_id":"825706771f6bdf2d6e3ed494caab7d09480197b97894196e41523142355b7ec7","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-5c4c8d3701a333ba4ddadef7d0b5dde8440fcdf0","semester":"1262","observed_at":"2025-06-01 01:57:51.256704+00:00","record_version_id":"c73d4e96ffa8bd73022b916638086dbcbc80662441d5beaa8cf052ebdd522a78","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-5d20d9f81651d3c83fcaa2fd10870ce6e5d5a685","semester":"1262","observed_at":"2025-05-21 16:48:48.484741+00:00","record_version_id":"21c432e5633a40fc77f2f46112a918923ccf0fc7d396097818e60040a349383d","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-5feaebf2ab37051c86ad360cc0fa0d7e0e2ea295","semester":"1262","observed_at":"2025-05-24 15:58:23.378859+00:00","record_version_id":"b5429762fbed12579936bab98eccf45ee1836709943c377a6d155f52b9141a38","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-60949965544fce098cc006354e201149005fb77b","semester":"1264","observed_at":"2025-10-26 05:07:14.077864+00:00","record_version_id":"eec8a1b5d0458f989110624ab210021dc374572c53935051dc53483ed1980e99","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-639225ac3addf8522f1d30cb4fe26054ea7f8c49","semester":"1262","observed_at":"2025-06-01 08:14:42.497608+00:00","record_version_id":"24ecd7673ebd8f03864d434cebe1256235d6e9fd4f75ea6a4749ad07bbda4329","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-64093b17b3a9c67a41aa33eb37adb53ec38df714","semester":"1262","observed_at":"2025-05-22 02:11:02.531191+00:00","record_version_id":"ce0b6b883bef481d396acfa3b6153aad3aa448ec3199e10b25ad6bc5cd6e54c8","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-6885b56099f55e08aa0205546369fb0381d50e13","semester":"1262","observed_at":"2025-07-13 04:59:22.367394+00:00","record_version_id":"b87f46ee20efd8d0cd9e34cf8f55d8501513f45abc643b0af1c3c6860835bd6d","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-69d4b2b16e8268f75b6390b3a0e2ce8bf73999da","semester":"1262","observed_at":"2025-06-30 03:21:29.925498+00:00","record_version_id":"9dab11ead41c41860e81d30b5980b2c0e28ecd535d10231d228daddc729789a2","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-6b29c3e0673b2f9a736d2363db5409e03d5b3ed4","semester":"1264","observed_at":"2025-12-03 12:33:41.418072+00:00","record_version_id":"cf9824b6fb5ffd0f5db2a09f809fb16dc719c59a898aa5821d3a67e71c8465b2","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-73259984748de484976ef2ad56ad7ab3d4cb4518","semester":"1262","observed_at":"2025-06-26 08:27:56.461216+00:00","record_version_id":"41a5b409a1e761636720de1fde7810ad9e0c5abb8c071799000f827a62d97930","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-741602fbc6252c232a0b9e6bc1a9ae3101625f5a","semester":"1262","observed_at":"2025-06-30 22:49:32.522034+00:00","record_version_id":"15336061c31ed0e2f8ad3f021d8da9960fd29c123e62b78b9f0181a6253dd4aa","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-7774f45558276ec29bf626e58fffb4a27bdbb2a9","semester":"1264","observed_at":"2025-11-01 11:49:36.359151+00:00","record_version_id":"8387f65bde334b0734e6be42ea57250797f23258dcc439e987bc9c22f6eb5f62","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-7ab7c5e783fc8ebef8b8ee8cea019ee37a72ce74","semester":"1262","observed_at":"2025-09-28 04:58:07.340658+00:00","record_version_id":"e549cb36d29383430ee1be2e18286eb9ef22daba8683b5050a2ccee7989480bc","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-7b2f22d83ea05055ab90dcb77dc802382cccc6f7","semester":"1262","observed_at":"2025-05-21 17:56:46.096741+00:00","record_version_id":"9f719e3506d11481b933298513a6206b085230e5761c1704c52a4db7c8c98cc6","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-7ca1175502be18eb51f7b016818a884a43fd4ebb","semester":"1262","observed_at":"2025-07-29 06:28:23.644795+00:00","record_version_id":"f7ff46e7b15ea644632b92e01196371c06f3e3301df66021f3f9f547509d525c","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-7d8cee5e42602ad9ba5dc0322085af2fa0dffaac","semester":"1262","observed_at":"2025-05-22 01:15:19.291664+00:00","record_version_id":"7d8a78046ab0daee1a8a91b89237e304f3e2db9d40d37d818cc16cb7578a08e9","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-81a0d6a7f668c98c59bd05fa988aa079c5ad1f68","semester":"1262","observed_at":"2025-05-31 07:49:50.419452+00:00","record_version_id":"fdeb83623526ddc3623f82958928e6d92e3b46128211ffa7a27cf39d78e42f42","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-82f31c08c746a214872494cde6ecaeb9330441b4","semester":"1262","observed_at":"2025-06-17 21:26:08.547156+00:00","record_version_id":"39dddd9bcf9218820ac102e60dafd891bd8244ad9369c04c3ac2bafa158729eb","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-84c248343c5a99ab42c5616c594812a5e3e31cbb","semester":"1262","observed_at":"2025-07-04 06:00:07.487827+00:00","record_version_id":"f9099793951fe0e1d28cd813a5ec9d75f5d95d6c810a2adc4bac7d0d0963c9b2","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-86334e7275e315853287e8580c35456c68df800b","semester":"1262","observed_at":"2025-05-22 06:53:03.336354+00:00","record_version_id":"7b87edde7c576d756ae3ca8b83139289bbb01950ab6f6ea4aa20a60c4e04ddc1","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-8686dc1664f93a6c05f50321410961b39b12f91b","semester":"1262","observed_at":"2025-05-28 10:17:41.595894+00:00","record_version_id":"d8a75cc198ee20396583e7d4cf7212bdefd2df94a5fe5eaa63838fd4255a0c2b","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-86d941366886c9a14a2581c04e20d0bdd25e1b02","semester":"1262","observed_at":"2025-08-31 04:54:14.656039+00:00","record_version_id":"baaac423a5688a86430e3fe90957046a08a8c417372df2e85dc432aca2594c83","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-8ba1d2e6cfbb1525b4f9f769ec164fb6ad0f237a","semester":"1262","observed_at":"2025-06-02 05:22:45.010398+00:00","record_version_id":"8e854aad862e8b4497ba018992a28ac3db791d0f06b23bc2a6637ae7f03b19e9","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-90e5aa456689a3b222016c05c319bbcd0bddd453","semester":"1262","observed_at":"2025-05-25 02:00:10.037905+00:00","record_version_id":"9a66644cec8cde07125baa561e30644197178ae6d4e32ced6e80c1696c6f3789","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-92d960aa7e4cd6e4c9ac8b2e232092904038e9e4","semester":"1262","observed_at":"2025-06-08 01:50:46.451351+00:00","record_version_id":"806bb37f3a6286f681980697e4befa16323d7242a231e120338b24328b6992bb","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-94002ae588a8f71eca6d64105f2e603e8587293b","semester":"1262","observed_at":"2025-05-21 09:01:16.021508+00:00","record_version_id":"e7c3028f2d9447edc2c6127ec7a8046426448414e7dcb4a7111519d223ac2cf5","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-9dd575e013c5c6e000ab3ad2d1288cc1dd9c96dc","semester":"1264","observed_at":"2025-12-21 04:47:46.589081+00:00","record_version_id":"92f1f64e2a148d3672dca6f653815db15478d735319d45916117d33262ca1b2d","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-a1ea26ed78cbd6e94bc3221e50a6ed9b6bf43871","semester":"1262","observed_at":"2025-05-25 09:16:55.180581+00:00","record_version_id":"db75b53fed39b0d682aafeb469e3825d11c9f414c5c3110b31f1c3fdbf0ee0f6","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-a76a3505853d5ea9c13bb98472b87361d469e2ee","semester":"1262","observed_at":"2025-05-28 18:03:41.793846+00:00","record_version_id":"126d7d062011905f8e597f78376bf4e4d9b682c822018fb77e1514783341ac4e","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-b285d591f6acf3aa1910e02edc297664db86eb8c","semester":"1262","observed_at":"2025-06-10 22:48:22.460295+00:00","record_version_id":"ae0f366c97102998be605f5e7d7c93090e7f60c44b16484481ec6a1463b67a55","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-b79af756e4f00ba98231feb859ed8e98239eb811","semester":"1262","observed_at":"2025-05-22 02:47:56.931581+00:00","record_version_id":"851499887ac5768e7097a4102ea12c41de91cc0ffda0b94f41ebf5f40fb361b2","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-b89e05b94730c6471439082d9279c0a834a4aeec","semester":"1262","observed_at":"2025-08-26 20:25:42.325239+00:00","record_version_id":"d93660240c728beed4cdd158555a5952229732b67ce7c3af7c67cc20038d0908","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-b9279a12d1f2688df9e556183c94d41a89e431dc","semester":"1262","observed_at":"2025-07-06 01:49:47.203835+00:00","record_version_id":"069e3cb85b55ef771fcba226563947997d599d97c0f61236b4bd22364b6c9803","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-bbdc905e96cc681a5e9a8b02c795b682206e36d1","semester":"1262","observed_at":"2025-06-25 08:02:45.445730+00:00","record_version_id":"24adcf88aec84987c7b538aeb4010cb8b9329ff51b1eb9b2ad9fab2f8ebe94aa","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-bde225b5243a13d81827aa173e39c78a652b54a0","semester":"1262","observed_at":"2025-05-23 07:22:33.219345+00:00","record_version_id":"037829c96a16f439a1ac7b7527fb075f40d42e525920d6c5012d450a249e6bcf","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-c1fac4cbfde737f4f4ac02cdf15e6f5a9b5b676d","semester":"1262","observed_at":"2025-05-22 01:15:19.291664+00:00","record_version_id":"7d8a78046ab0daee1a8a91b89237e304f3e2db9d40d37d818cc16cb7578a08e9","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-c6b62be45f8a13cba109ef2a7741b9cd9a6b8272","semester":"1262","observed_at":"2025-08-24 08:48:09.035112+00:00","record_version_id":"39ce76999ea8c6f0aafd98a63fdc3f26215a460ee69fb3b98725df8f19f5575c","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-cc83f62cb6db61f39320916d819ad48ce55cd96d","semester":"1262","observed_at":"2025-05-22 00:45:35.735230+00:00","record_version_id":"162189fb7c38b899cf959e2beaf9bc18c9521730f73eebd4f24627c0158b43b2","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-d33818a01b6b4c5e2902e704da6e5b713742d4dc","semester":"1262","observed_at":"2025-10-13 10:46:24.251475+00:00","record_version_id":"8244a6badd9b3dea2aa7f7d1ef9df2aed1e8987dc86fc6bc0880b3a415a31e7f","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-d3c17db9832d3064916046caf891dd23f10b1bb9","semester":"1262","observed_at":"2025-08-26 11:30:42.288639+00:00","record_version_id":"d68f15f4a494ac1b74b2f9ccf502be564f6a6b86d9ecd32a6ae8bfead7a014f7","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-d4ee226dc44268e9b6767fb9f5f20343322f494b","semester":"1262","observed_at":"2025-06-15 01:52:23.911697+00:00","record_version_id":"c875bdd3b2dd4426c0ba5a14b25618b553531c77c542d9b95063221c6e5bbb4b","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-d8f9fc7f136e2033556d9d65bbdbdf33425dbdc9","semester":"1262","observed_at":"2025-05-28 16:48:12.400438+00:00","record_version_id":"02a24ebae385ae1ec1b0727bc9ca4ad1a1b8c124aba6c97d825042ed55b3c204","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-dbbc9739c616c3846b2e796e00a36fa41225f7d8","semester":"1262","observed_at":"2025-06-01 17:47:19.325144+00:00","record_version_id":"9e722d3c1b706dec1f53384b9e0a66d418d1f6517eaecb5e2264355949ef543a","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-dbe5f2d24b48c3177297a3d69c553cc9d1194bac","semester":"1262","observed_at":"2025-09-14 05:00:27.366070+00:00","record_version_id":"cbe0ac54b07a15ef542974c0a8254faffb4161d114881ad13ceed89e23677199","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-dd357dc2758e9e282c30988a527ce37de92593b9","semester":"1264","observed_at":"2025-10-19 01:39:41.951404+00:00","record_version_id":"59d7849e59fba179d98b568b4ec6e0ec22bd0ccb088cf9be66a12aaccd7512ed","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-de74de559e409a3fe668685e28043b888d2e6841","semester":"1262","observed_at":"2025-06-27 07:38:50.882897+00:00","record_version_id":"d28f673e8ea6dc933d7f120658912f0fc1cca8c65b1594a1073644fe0de997f4","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-deca7188cf536ade3203cd88b52a45e92a059617","semester":"1262","observed_at":"2025-06-27 00:37:46.087071+00:00","record_version_id":"d25b9c1e5e0c30d7aa8f3d6453e6ba49c4926ec6dc6148534843a5e73e0e7e4a","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-df60fa9ac3931c5612b0fa641b7a6f5fbec86fab","semester":"1262","observed_at":"2025-05-24 06:36:37.554678+00:00","record_version_id":"a04632838b175c51b6501bdbf5cf6f760465531e7ec371232c3aa372e55f1e63","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-e339da2d849aaf8bb4dceca07a84728af23cf755","semester":"1262","observed_at":"2025-07-23 08:49:22.748925+00:00","record_version_id":"450b172c5c4fd9cbd5764932c3553b1af9b6e2e8598929a2d7fe256d2f932a72","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-e934b1784835f5d36ae9b7ef0992b11e72c39142","semester":"1262","observed_at":"2025-06-01 06:21:25.219533+00:00","record_version_id":"95c133088ed2f7f736cc769a2369d8f18fe8829aa971978d39be22c1adf04099","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-ef471690c082448deebd2687eab84b0b78813c36","semester":"1262","observed_at":"2025-06-29 01:47:56.317645+00:00","record_version_id":"859cd6c70fddeae08530d9594fe973bff79c2150b24c6e712154053ef0783bb4","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-efc4e8e2cd7c3f68e059a308990c00c77c7611eb","semester":"1264","observed_at":"2025-10-16 05:48:13.935141+00:00","record_version_id":"61a3ed3d4e63fc515507c61ee2f85f40f4362a72c08e269a133027d177bdf89f","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"},{"run_id":"legacy-f18b7749725097d41f69c60779ff38cf073b93b3","semester":"1262","observed_at":"2025-05-21 19:52:03.259353+00:00","record_version_id":"d24a7a8318688085aed54bfa876e94fe09fd51f32178d8f4412987a60d469d79","course_id":"COMARTS 250","course_uid":"course_fb12f8f4e36e2746ff4a6bd9","catalog_version_id":"bc6b8c3642f42e9252c489c82e5d5a9e3d557d23b964b19dac6b46cc2bebc182","course_number":250,"subjects":["COMARTS"],"title":"SURVEY OF CONTEMPORARY MEDIA","description":"Key concepts for the critical analysis of television, film, radio, and digital media. Focusing primarily on meanings, aesthetics, technology, media industries, representations, and audiences.","requirements_text":"None"}]